Money Cant Buy Me Love ~REPACK~
Parents need to know that Can't Buy Me Love is a 1987 teen comedy in which a young Patrick Dempsey plays a nerd who tries to buy his way into high school popularity. Strong language is thrown around in a casual way -- not only profanity like "f--k" and "s--t" but also name-calling like "tards" and "dorks" and sexual innuendo like "nailing." There are a lot of sexual references and some crude jokes and comments about sex. High-school girls are shown in their underwear. The premise of the movie involves a popular girl dating a nerdy boy for money, and there are some references to prostitution. There are a few scenes where high school age kids drink, with no consequences from authority figures. A main character, a good student, starts to ignore his studies and suffers no consequences. There are few speaking roles for minorities, and a heavy reliance on stereotypes for the plot development (a nerd/ cool kid rivalry). Overall, while the movie attempts to point out the absurdity of high school cliquedom, it's too rooted in the '80s to make that message clear to contemporary audiences. For instance, besides use of terms like "tards," there is a fat-shaming scene in which a large teen girl approaches the lead character and tells him, "You could have had me for $49.95," and a scene when Dempsey tries to sit in the cafeteria at the skate-punk table and they immediately flee, leaving the popular kids to laugh mockingly about how he can't even find acceptance with what they think to be the lowest clique in the entire school. This broader point about bullying and cliques is muddled by dated stereotyping attempting to be comedy.
money cant buy me love
CAN'T BUY ME LOVE is a teen romantic comedy about Ronald (Patrick Dempsey), a high school senior who has been filling the role of hard-working student all his life. He has a group of close friends and a supportive family, but he longs to be accepted by the popular crowd, headed by his lovely next-door neighbor, Cindy (Amanda Peterson). When Cindy finds herself in dire need of $1000, Ronald offers her a deal: He will pay her the money if she pretends to date him for a month. She agrees and soon Ronald is the toast of the popular set. All the girls want to date him, all the boys want to be like him, and Cindy starts to warm up to him. From the outset, Ronald's popularity presents problems as well as privileges: He leaves his old friends behind, he starts to do badly in his classes, and as his personality changes, Cindy becomes disillusioned, and their budding friendship dissolves. It's only when his ploy is exposed that Ronald can start to think about the cost of playing any role, nerd or cool kid, and being anything other than what he really is.
The plot: The movie's hero (Patrick Dempsey) is a nerd, an outcast, a member of the wrong crowd at school. He mows lawns for spending money and dreams of the beautiful Cindy (Amanda Peterson), the most popular girl in school. One day, in desperation, he offers her his life savings of $1,000 if she will agree to go out with him for a month. That's a lot of lawns.
His theory is that he will become popular if he is seen with the right girl on his arm. Her theory is that the money will help her replace her mother's expensive coat, which she wore to a party and got red wine all over. Now think for a minute. Is this really a portrait of teenage America? Of course not. It is more likely a portrait of the possession-oriented values of the adults who made this film.
There have been a lot of movies lately about unpopular teenage boys pining after the girl they love. There was, for example, David Seltzer's "Lucas" (1986), with that perfectly modulated friendship between Corey Haim as a boy with a crush on Kerri Green and Charlie Sheen as the football hero who also loves the girl but tries to understand the whole situation. Or remember the Scottish film "Gregory's Girl," with its awkward hero in love with a girl who could play soccer better than he could. Or John Hughes' "Sixteen Candles," with Molly Ringwald in love with the senior class hero.
All of these movies respected the innocence and even the idealism of their adolescent characters. They cared too much about them to shovel them into a cynical sitcom in which the most corrupt adult values were projected onto teenage characters. It may be true in our society that people marry for money. That they seek successful people to go out with. That they try to buy popularity. But when you are a teenager, love is no respecter of greed, and the heart beats strong and true. The makers of "Can't Buy Me Love" never knew that, or have forgotten it.
The bidding was fast and furious on this car. Do yourself a favor and take a few minutes to read through the comments that were logged during the auction, because the stories are fantastic. One, in particular, was from a guy who was riding in a VW just like this one the night before his wedding while his beloved was driving. This is too entertaining to leave out:
Louisa finally decided she had to act. One reliable source connected to the family says Louisa told Fayez she would stay in the marriage if he would move Linda and her boys off Texas soil. He did not. It was hard to believe, but Sarofim seemed to be in love.
In Dempsey's follow-up to Can't Buy Me Love, he starred as a pizza delivery boy who becomes a paid escort for his middle-aged clients, played by Kirstie Alley and the late Carrie Fisher. Audiences failed to fall in love with the 1989 comedy, which made just $3 million at the box office.
Apologies to Skeet Ulrich and condolences to Jerry O'Connell, but Dempsey's homicide detective Mark Kinkaid was, and is, our favorite love interest for Sydney Prescott (Neve Campbell). While some fans might've been convinced he was shady, 2022's Scream revealed Sydney married Mark and they have twins, so he really did land the final girl in the end.
Who needs a Disney prince when you have Dempsey? That was basically the moral of the story in this beloved 2007 rom-com, which starred Amy Adams as a fairy tale princess who travels to the real world and falls for a single father. And their happily ever after is set to continue when the sequel, Disenchanted, premieres this Thanksgiving on Disney+.
C'mon, like you would actually be able to marry someone else if Mc-Frickin-Dreamy was telling you he was in love with you?! While we love the gender-flipped take on My Best Friend's Wedding, our favorite thing about this 2008 flick is that Kevin McKidd, a.k.a. Dr. Owen Hunt on Grey's, plays the dumped groom. Awkward!
Another way of exercising financial abuse is refusing to contribute to shared expenses, repairs, or utilities. The burden of paying the mortgage or rent, coming up with the money to replace a hole in the kitchen floor, or even funding a family vacation will fall to just one partner in a relationship: the non-narcissist. This same narcissist will also most likely have a secret bank account and shame the other partner for their spending habits.
It is a dull summer night in Batesville, Mississippi and threehigh school girls are bored to tears. When the Know-It-All daresthe Dreamer to call up Paul McCartney and ask for one milliondollars, and they actually get through to the rock star, the girlsdiscover there is more to life than money. Published inSouthern Exposures: Five Plays About Life in the South.
It is a dull summer night in Batesville, Mississippi and three high school girls - know-it-all Ellen, peace maker Sandy, and introverted dreamer Amy (who's been in love with the Beatles since she was six) - are bored to tears. They discover that Paul McCartney is worth $600 million Ellen suggests they phone him and ask for a million dollars since he'll never miss it. Moreover, Ellen insists that Amy be the one to call as she has a problem with boys and this will fix it. Amy gets through to the rock star and the girls find that there is more to life than money. 041b061a72